Monday, October 1, 2007

Michael Knight

The last time I wrote anything about Michael Knight, it was a band that featured not only Richie Murphy but also two women (one of whom is Edel Coffey off Phantom now) who provided the washing backing vocals and the live backing. Nowadays, Richie is based out of Berlin and seems to be Michael Knight by himself. Which begs the question: is it now legitimate to refer to Michael Knight in the singular, or is this still not allowed because of Hasselhoff? Pointless semantics, really, but worth a thought.

I thought Youth Is Wasted On The Young was an excellent album two years ago if you hadn't noticed in the review, and I still listen to it occasionally so I was looking forward to seeing what Richie was going to lay on for the substantial enough crowd in the Lennon Lounge. As it turned out, the set consisted of Richie at the piano (or the keyboard which sounded like a piano) and the guitar playing to deceptively orchestral backing tracks. Most of the songs were new to me and will probably end up on the new album due "soon". A lot of the sweetness of the older songs seems to be lost but this is not necessarily a negative comment. Michael Knight now sounds like Michael Knight is writing songs on pianos in Berlin, which is most likely what is happening. The hooks weren't as obvious though, and that makes first-time listening hard work.

God forgive me, but my heart lifted when I heard Waves To The Shore second from the end. And I appreciated the sentiment if not the execution of the woman to my left's blurt: "Play Foals you bastard". Happily enough, though, the (new to me) set closer "Victory Is Mine" was great. Just about a good gig.


1 comment:

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